<\/p>\n
Liam Neeson in Retribution<\/span>Credit: <\/span>Roadside Attractions<\/cite><\/p>\n \u201cI don\u2019t know who you are,\u201d he growls in one of the most menacing speeches in modern movies. \u201cI don\u2019t know what you want. If you are looking for ransom, I can tell you I don\u2019t have money. But what I do have are a very particular set of skills, skills I have acquired over a very long career. Skills that make me a nightmare for people like you.\u201d<\/p>\n Neeson has worked with many of the world\u2019s leading directors in film, theatre and TV. His accolades include an Oscar nomination, two Tonys, an OBE, an honorary doctorate from Queen\u2019s University Belfast and – something not even Robert De Niro or Meryl Streep can claim – Freedom of the Borough from Ballymena council in Northern Ireland.<\/p>\n But what\u2019s more fascinating than thinking about what he could do with Ballymena\u2019s Freedom of the Borough (does it mean an extra garbage collection every week? The right to keep a pet without a licence?) is Neeson\u2019s late career specialty.<\/p>\n For a while now, he has dominated an under-appreciated genre: the plane movie.<\/p>\n Not movies about planes. Movies that are perfect for watching on long-haul flights.<\/p>\n The latest example is Retribution<\/em>, which has Neeson playing a Berlin bank executive who hears, in a phone call from a disguised voice while driving his two teenage children to school, that the car is rigged with bombs that will explode if anyone gets out.<\/p>\n A remake of the Spanish film El Desconocido, <\/i>it opened in cinemas this week.<\/p>\n Some movies are designed to take advantage of cinema\u2019s giant screen, pristine sound and comfortable seating. The best plane movies work just as well on a small screen with bad headphones while jammed in economy class.<\/p>\n The plot is invariably easy to follow. If you miss a line of dialogue when another passenger is squeezing past, or you\u2019re distracted by the dinner options, it doesn\u2019t matter.<\/p>\n If it\u2019s the kind of action thriller than Neeson specialises in, there will be a clearly defined hero (worn down by life but with a good heart) who faces a villain (desperate, ruthless) played by an obscure actor. There\u2019ll often be a car chase, maybe a gun battle or two.<\/p>\n There are no sex scenes that might feel embarrassing to watch while other passengers can see your screen, no subtitles that might require concentration. It\u2019s not too long, so you can rip through it between bites of a muffin.<\/p>\n Some people watch films that are made by celebrated directors. But the best plane movies are often made by someone as anonymous as the actor playing the villain. Someone whose name could even be made up, like Olivier Megaton or Nimrod Antal.<\/p>\n The holy mission of these movies is to provide entertainment\/distraction at 30,000 feet for people with their shoes off.<\/p>\n Neeson is a reliable presence in a plane movie.<\/p>\n At 71, he is still ruggedly handsome. Whoever he is playing and wherever in the world the movie is set, he usually speaks with the same gruff American-with-a-hint-of-Irish accent. His character will invariably care deeply about his family, even if his wife has married someone else\/is divorcing him and his children are busy with their own lives\/being abducted.<\/p>\n Neeson stars in The Lord of the Rings<\/em> trilogy of plane movies: Taken<\/em>, Taken 2<\/em> and Taken 3<\/em>. Because hiring him guarantees a movie will get made, he has been travelling the world shooting them between more ambitious projects by better-known filmmakers.<\/p>\n The Lord of the Rings: The Return of the King of plane movies: Liam Neeson in Taken 3.<\/span>Credit: <\/span>Fox<\/cite><\/p>\n Single-word titles are a dead giveaway. Like Non-Stop<\/em> (an ex-NYPD cop turned air marshall has to find a killer on an international flight) or Memory<\/em> (a brooding hitman with early dementia has to go on the run).<\/p>\n Neeson came to Melbourne in 2020 to shoot Blacklight<\/em>. Set in Washington DC and full of Australian actors cast as Americans and the occasional Brit, he plays a CIA veteran who extracts undercover agents when they get in too deep but really wants to spend more time with his granddaughter.<\/p>\n The characters\u2019 names showed how hard they tried with the script: Neeson plays Travis Block with American Taylor John Smith as Dusty Crane. It had a short run in cinemas then went on to its true purpose: occupying 104 minutes on a flight.<\/p>\n<\/p>\n
<\/p>\n